Danielle Hogan [she/her] is a Canadian visual artist and academic recognized for her research in fiber-based art and for a studio practice rooted in personal narrative. Working across multiple media, through her practice she investigates notions of time, precarity, joy, grief and patriarchal labour hierarchies. Since late 2022, she has been exploring non-linear storytelling through the practice of miniature, near-daily paintings.

Hogan received a doctoral fellowship for her PhD research, which examined the stain of Femaffect on fiber in art. She coined the term to describe the art world’s persistent bias against textiles as sculptural media.

She is alumna of the New Brunswick College of Craft and Design; Emily Carr University of Art + Design (BFA) in Vancouver; the University of Victoria (MFA); and the University of New Brunswick where she earned her doctorate in Interdisciplinary Studies. Her first book, LIGHT and MATERIAL: Weaving and the Work of Nel Oudemans, was published in 2024 and she is currently researching her second book of textile history. Brief Infinity, an exhibition of Hogan’s paintings, opens July 10th at the University of New Brunswick Art Centre in Fredericton.

Of Irish, Italian, and French settler ancestry, Hogan lives as a guest in Ekpahak (Fredericton), on the unceded and unsurrendered territory of the Wabanaki people.

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